This is the Cyrillic version of Lars. The design process of the Cyrillic was the most difficult, of the greek, Serbian and Bulgarian version of Lars. The round shapes and quirks of Lars, did not translate well into the rigorous Cyrillic forms. At the end, a lot of Lars’ characteristic shapes had to be simplified, but the remaining shapes, leaves a warm impression.
Russian, Bulgarian, Serbian, Ukranian, Uzbek and Kazakh amongst others.